Robyn Lynne Norris’s free-form satire makes its premiere that is off-Broadway at Westside Theatre.
Go on it from a veteran: on the web dating suuuuucks. Yes, apps like OkCupid, Tinder, and Hinge reduce in the awkwardness that is included with approaching possible love passions in individual and achieving to discern another person’s singlehood when you look at the beginning. But placing apart the fact perhaps the many complex algorithm can’t constantly anticipate in-person chemistry, forcing potential daters to boil on their own down seriously to a self-summary leads people to not merely placed across an idealized form of by themselves for general general public usage, but additionally encourages visitors to latch on the many surface-level aspects to quickly see whether someone’s worth pursuing romantically. For ladies especially, internet dating could even be dangerous, making them available to harassment or even worse from toxic males whom feel emboldened by the privacy associated with the online.
Yet, internet dating remains popular, hence which makes it a target ripe for satire. Enter #DateMe: an experiment that is okCupid. Conceived by Robyn Lynne Norris, whom cowrote the show with Bob Ladewig and Frank Caeti, and located in component on her behalf very very very own experiences, the task is actually a sketch-comedy that is extended, featuring musical figures, improvisatory portions with market participation, and interactive elements (the show features its own OkCupid-like application that everybody is encouraged to install and create pages on ahead of the show). In place of a plot, there is a character arc of kinds: Robyn (played in this off-Broadway premiere by Kaitlyn Black), finding by herself forced to try OkCupid the very first time, chooses to see just what is best suited regarding the software by producing 38 fake pages. Continue reading